SF as the "Queering of Realism"

If, as I write in the introduction, SF can be read as the queering of realism, then it is as the dominant culture’s death drive that it does so: SF provides the speculative challenge to our primary definitions of reality, the first step necessary in the creation of fiction as such, even as its movement away from reality is a move away from the understandable, an anti-telos that denies the finality of meaning altogether. If SF is the limit case of reality, the limit case of SF is the truly a...

 All Utopias Are Conservative

Herbert’s critique of this seemingly countercultural utopia is precisely aimed at its conservatism. In necessarily rendering life static, the utopian vision must deny the instability of signification and that permits for change and development itself. In making this argument, I am aware that I am (or Herbert is) falling into what Kenneth M. Roemer calls that category of “muckrakers (or ‘stuckrakers’) preoccupied with exposing elements in literary utopias that tend toward changeless st...

 SF's Extension of Semiotic Possibilities in Language

Delany—in his equally famous and oft-cited definition of science fiction—argues that science fiction is characterised by an extension of semiotic possibilities in language: that is, he argues that words can simply mean more in science fiction than they can in realist fiction. Delany sees this as a function of the heightened realism of SF, and the materialisation of metaphor involved therein: he uses the phrases “Then her world exploded” and “He turned on his left side” to demonstr...

 SF "Pretend" to Cognitive Rigor, Making Distinguishing it...

Moreover, as Csicsery-Ronay points out, albeit in a different way, the “cognition effect” does not escape another problem Miéville points to. In the same piece, Miéville states that “A lot of science fiction that pretends it is about scientific rigor is actually predicated on a kind of a late Enlightenment model of the expertise of the scientist..., a kind of caste or class model that is, in a way, the Enlightenment’s betrayal of itself, since it says: do not ask questions because w...

 Socrates' Criticism of the Written Word Echoes Those Agai...

En la época de Sócrates, los textos escritos aún no eran una herramienta habitual y todavía despertaban recelos. Los consideraban un sucedáneo de la palabra oral — liviana, alada, sagrada—. Aunque la Atenas del siglo V a. C. ya contaba con un incipiente comercio de libros, no sería hasta un siglo después, en tiempos de Aristóteles, cuando se llegase a contemplar sin extrañeza el hábito de leer. Para Sócrates, los libros eran ayudas de la memoria y el conocimiento, pero pensaba ...

 Interactive Fiction has "Potential Narrative"

A work of IF is not itself a narrative; it is an interactive computer program. A narrative is “the representation of real or fictive events and situations in a time sequence” (Prince 1980, 180); this can result from an interactive session but does not describe any IF work itself. Similarly, interactive fiction is not a story in the sense of the things that happen in a narrative, or more precisely, “the content plane of narrative as opposed to its expression or discourse; the ‘what’ ...

 The Screen Revolution is Breaking the Thread of Literacy

If the reading revolution represented the greatest transfer of knowledge to ordinary men and women in history, the screen revolution represents the greatest theft of knowledge from ordinary people in history. Our universities are at the front line of this crisis. They are now teaching their first truly “post-literate” cohorts of students, who have grown up almost entirely in the world of short-form video, computer games, addictive algorithms (and, increasingly, AI). Because ubiquitous m...

 Medieval Book Curse

Steal not this book my honest friend For fear the gallows should be your end, And when you die the Lord will say And where's the book you stole away?

 Fantasy Reflected How the Privileged Wanted the World to Be

For far too long, fantasy, as a genre, was used as a way to reflect the worldview of those in power. It leaned into stereotype and reflected how the privileged wished the world was. Modern fantasy is more reflective of the actual world, which includes the wide variety of life experiences that exists. Trans people, people of color, and women playing a larger role, are all part of modern fantasy because they’re all part of the actual world, and it’s important that our stories and world bui...

 Explorer VS Adventurer

As Ursula K. LeGuin writes in The Dispossessed, a novel in which a man returns to Earth for the first time from an anarchist colony: “The explorer who will not come back or send back his ships to tell his tale is not an explorer, only an adventurer.”